Doubts about chords Announcing the arrival of Valued Associate #679: Cesar Manara Planned maintenance scheduled April 17/18, 2019 at 00:00UTC (8:00pm US/Eastern)Why does the dominant lead to the tonic?What scales can I play over a A 13 flat ninth chord?Confused about diminished chordsWhy do many songs in major keys use a bVII chord?How is a secondary dominant used for modulation?I would like to know few things about chord progressionTriads with thirds that aren't major or minor?Why the specific pattern of white keys on a standard piano?Why do we only build 7th chords on the supertonic and dominant of a major scale?Determining the seventh chords of a keyIs Locrian a minor mode or is it a diminished mode?

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Doubts about chords



Announcing the arrival of Valued Associate #679: Cesar Manara
Planned maintenance scheduled April 17/18, 2019 at 00:00UTC (8:00pm US/Eastern)Why does the dominant lead to the tonic?What scales can I play over a A 13 flat ninth chord?Confused about diminished chordsWhy do many songs in major keys use a bVII chord?How is a secondary dominant used for modulation?I would like to know few things about chord progressionTriads with thirds that aren't major or minor?Why the specific pattern of white keys on a standard piano?Why do we only build 7th chords on the supertonic and dominant of a major scale?Determining the seventh chords of a keyIs Locrian a minor mode or is it a diminished mode?










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"The seventh chord built on the fifth step of the scale (the dominant seventh) is the only dominant seventh chord available in the major scale: it contains all three notes of the diminished triad of the seventh and is frequently used as a stronger substitute for it".



Can yall explain what this means?
Especially "diminished triad of the seventh"?










share|improve this question


























    2















    "The seventh chord built on the fifth step of the scale (the dominant seventh) is the only dominant seventh chord available in the major scale: it contains all three notes of the diminished triad of the seventh and is frequently used as a stronger substitute for it".



    Can yall explain what this means?
    Especially "diminished triad of the seventh"?










    share|improve this question
























      2












      2








      2








      "The seventh chord built on the fifth step of the scale (the dominant seventh) is the only dominant seventh chord available in the major scale: it contains all three notes of the diminished triad of the seventh and is frequently used as a stronger substitute for it".



      Can yall explain what this means?
      Especially "diminished triad of the seventh"?










      share|improve this question














      "The seventh chord built on the fifth step of the scale (the dominant seventh) is the only dominant seventh chord available in the major scale: it contains all three notes of the diminished triad of the seventh and is frequently used as a stronger substitute for it".



      Can yall explain what this means?
      Especially "diminished triad of the seventh"?







      theory chords






      share|improve this question













      share|improve this question











      share|improve this question




      share|improve this question










      asked 2 hours ago









      stupr instupr in

      514




      514




















          2 Answers
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          3














          "Dominant seventh" is a shorthand for what others call a "major-minor seventh," meaning a major triad with a minor seventh on top.



          If we take all notes of a major scale and create seventh chords on top of them using only the notes of that major scale, only one of these seventh chords will be a major-minor ("dominant") seventh: that built on scale-degree 5 of the major scale. Scale-degree 5 is called the "dominant," hence the term "dominant seventh."



          When this text says "diminished triad of the seventh," the writer is being a little loose with their terminology. It should say "diminished triad of the seventh scale degree," because the triad built on top of that seventh scale degree is a diminished triad. And that same diminished triad is the third, fifth, and seventh of the dominant seventh chord built on scale-degree 5.



          In C major, scale-degree 5 is G and scale-degree 7 is B. The seventh chord on G is G B D F (a major triad G B D with a minor seventh G F), and it includes the diminished triad built on scale-degree 7: B D F.






          share|improve this answer






























            2














            Doubts about Chords



            We call the resolution stronger because the V7 chord is much more directional (the vii°7 chord, which would be the diminished seventh chord, is symmetrical and ambiguous). There are other reasons, and as further reading, this post does a good job explaining this resolution's strengths.






            share|improve this answer























            • Thank you. Will read about it.

              – stupr in
              1 hour ago











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            2 Answers
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            2 Answers
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            active

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            votes






            active

            oldest

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            3














            "Dominant seventh" is a shorthand for what others call a "major-minor seventh," meaning a major triad with a minor seventh on top.



            If we take all notes of a major scale and create seventh chords on top of them using only the notes of that major scale, only one of these seventh chords will be a major-minor ("dominant") seventh: that built on scale-degree 5 of the major scale. Scale-degree 5 is called the "dominant," hence the term "dominant seventh."



            When this text says "diminished triad of the seventh," the writer is being a little loose with their terminology. It should say "diminished triad of the seventh scale degree," because the triad built on top of that seventh scale degree is a diminished triad. And that same diminished triad is the third, fifth, and seventh of the dominant seventh chord built on scale-degree 5.



            In C major, scale-degree 5 is G and scale-degree 7 is B. The seventh chord on G is G B D F (a major triad G B D with a minor seventh G F), and it includes the diminished triad built on scale-degree 7: B D F.






            share|improve this answer



























              3














              "Dominant seventh" is a shorthand for what others call a "major-minor seventh," meaning a major triad with a minor seventh on top.



              If we take all notes of a major scale and create seventh chords on top of them using only the notes of that major scale, only one of these seventh chords will be a major-minor ("dominant") seventh: that built on scale-degree 5 of the major scale. Scale-degree 5 is called the "dominant," hence the term "dominant seventh."



              When this text says "diminished triad of the seventh," the writer is being a little loose with their terminology. It should say "diminished triad of the seventh scale degree," because the triad built on top of that seventh scale degree is a diminished triad. And that same diminished triad is the third, fifth, and seventh of the dominant seventh chord built on scale-degree 5.



              In C major, scale-degree 5 is G and scale-degree 7 is B. The seventh chord on G is G B D F (a major triad G B D with a minor seventh G F), and it includes the diminished triad built on scale-degree 7: B D F.






              share|improve this answer

























                3












                3








                3







                "Dominant seventh" is a shorthand for what others call a "major-minor seventh," meaning a major triad with a minor seventh on top.



                If we take all notes of a major scale and create seventh chords on top of them using only the notes of that major scale, only one of these seventh chords will be a major-minor ("dominant") seventh: that built on scale-degree 5 of the major scale. Scale-degree 5 is called the "dominant," hence the term "dominant seventh."



                When this text says "diminished triad of the seventh," the writer is being a little loose with their terminology. It should say "diminished triad of the seventh scale degree," because the triad built on top of that seventh scale degree is a diminished triad. And that same diminished triad is the third, fifth, and seventh of the dominant seventh chord built on scale-degree 5.



                In C major, scale-degree 5 is G and scale-degree 7 is B. The seventh chord on G is G B D F (a major triad G B D with a minor seventh G F), and it includes the diminished triad built on scale-degree 7: B D F.






                share|improve this answer













                "Dominant seventh" is a shorthand for what others call a "major-minor seventh," meaning a major triad with a minor seventh on top.



                If we take all notes of a major scale and create seventh chords on top of them using only the notes of that major scale, only one of these seventh chords will be a major-minor ("dominant") seventh: that built on scale-degree 5 of the major scale. Scale-degree 5 is called the "dominant," hence the term "dominant seventh."



                When this text says "diminished triad of the seventh," the writer is being a little loose with their terminology. It should say "diminished triad of the seventh scale degree," because the triad built on top of that seventh scale degree is a diminished triad. And that same diminished triad is the third, fifth, and seventh of the dominant seventh chord built on scale-degree 5.



                In C major, scale-degree 5 is G and scale-degree 7 is B. The seventh chord on G is G B D F (a major triad G B D with a minor seventh G F), and it includes the diminished triad built on scale-degree 7: B D F.







                share|improve this answer












                share|improve this answer



                share|improve this answer










                answered 1 hour ago









                RichardRichard

                45.9k7110196




                45.9k7110196





















                    2














                    Doubts about Chords



                    We call the resolution stronger because the V7 chord is much more directional (the vii°7 chord, which would be the diminished seventh chord, is symmetrical and ambiguous). There are other reasons, and as further reading, this post does a good job explaining this resolution's strengths.






                    share|improve this answer























                    • Thank you. Will read about it.

                      – stupr in
                      1 hour ago















                    2














                    Doubts about Chords



                    We call the resolution stronger because the V7 chord is much more directional (the vii°7 chord, which would be the diminished seventh chord, is symmetrical and ambiguous). There are other reasons, and as further reading, this post does a good job explaining this resolution's strengths.






                    share|improve this answer























                    • Thank you. Will read about it.

                      – stupr in
                      1 hour ago













                    2












                    2








                    2







                    Doubts about Chords



                    We call the resolution stronger because the V7 chord is much more directional (the vii°7 chord, which would be the diminished seventh chord, is symmetrical and ambiguous). There are other reasons, and as further reading, this post does a good job explaining this resolution's strengths.






                    share|improve this answer













                    Doubts about Chords



                    We call the resolution stronger because the V7 chord is much more directional (the vii°7 chord, which would be the diminished seventh chord, is symmetrical and ambiguous). There are other reasons, and as further reading, this post does a good job explaining this resolution's strengths.







                    share|improve this answer












                    share|improve this answer



                    share|improve this answer










                    answered 1 hour ago









                    user45266user45266

                    4,2231835




                    4,2231835












                    • Thank you. Will read about it.

                      – stupr in
                      1 hour ago

















                    • Thank you. Will read about it.

                      – stupr in
                      1 hour ago
















                    Thank you. Will read about it.

                    – stupr in
                    1 hour ago





                    Thank you. Will read about it.

                    – stupr in
                    1 hour ago

















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