Precisionismus Index Exempla picturarum modo precisionistico factarum | Notae | Bibliographia | Nexus externi | Tabula navigationisConsummate Anti-Expressionists.Precisionism.Precisionism.
Ars modernaMotus artisPrecisionismus
Anglicoartis modernaemotusCivitatibus FoederatismodernisticisAmericabello mundano primo19201930floruitcaeliscalpiorumpontiumofficinarumAngliceVocabulum1920Alfredo BarrMusei Artis ModernaePictoresAngliceMorton SchambergMuseum Artis ColumbianumIoannis StorrslignumMuseum Artis Americanae SmithsonianumIosephi StellaPinacotheca Artis Universiatis YalensisStuart DavisMuseum Artis ModernaeNovi EboraciCaroli DemuthCaroli SheelerStuart DavisMuseum et Hortus Sculpturarum HirshhornianusVasingtoniaeCaroli DemuthMuseum Artis MetropolitanumCaroli DemuthMuseum Amon CarterArce WorthensiTexiae
Caroli Demuth Aucassin et Nicolette, oleum in textili (1921).
Precisionismus (ex Anglico precisionism) fuit primus artis modernae motus vernacularis in Civitatibus Foederatis ortus atque una e primis inventis modernisticis in America confirmatis. Modus precisionisticus, qui sub bello mundano primo ortus annis 1920 et 1930 ineuntibus floruit, novam caeliscalpiorum, pontium, et officinarum scaenam Americanam celebravit modo qui etiam realismus cubisticus (Anglice Cubist-Realism) appellatus est.[1]Vocabulum precisionismus primum annis 1920 excogitatum est, fortasse ab Alfredo Barr, rectore Musei Artis Modernae.[2]Pictores qui hoc modo utebantur etiam immaculati (Anglice Immaculates) appellabantur, quod re vera vocabulum usitatissimum eodem tempore erat.[3]
Index
1 Exempla picturarum modo precisionistico factarum
2 Notae
3 Bibliographia
4 Nexus externi
Exempla picturarum modo precisionistico factarum |
Morton Schamberg Telephonum (1916), oleum in textili, Museum Artis Columbianum.
Ioannis Storrs Caput Petasatum (circa 1918), lignum incisum in charta Museum Artis Americanae Smithsonianum
Iosephi Stella, Pons Brooklynensis (1919–1920), Pinacotheca Artis Universiatis Yalensis
Stuart Davis Lucky Strike (1921), oleum in textili, Museum Artis Modernae Novi Eboraci
Caroli Demuth, Incensum Ecclesiae Novae (1921)
Caroli Sheeler Caeliscalpia (1922)
Stuart Davis, Turris Campanaria et Via (1922), Museum et Hortus Sculpturarum Hirshhornianus Vasingtoniae
Caroli Demuth I Saw the Figure 5 in Gold (1928), Museum Artis Metropolitanum
Caroli Demuth, Caminus et Turris Aquaria, oleum in tabula compositionis (1931), Museum Amon Carter Arce Worthensi Texiae
Notae |
↑ Brown 1955: 114–115.
↑ Stavitsky 1994: 21.
↑ Stavitsky, p. 19.
Bibliographia |
- Brown, Milton. 1955. American Painting from the Armory Show to the Depression. Princeton: Princeton University Press.
- Friedman, Martin L. 1960. The Precisionist View in American Art. Minneapoli: Walker Art Center.
- Harnsberger, R. S. 1992. Ten Precisionist Artists: Annotated Bibliographies. Art Reference Collection 14. Westport Connecticutae: Greenwood Press.
- Hughes, Robert. 1994. American Visions: The Epic History of Art in America. Novi Eboraci: Knopf.
- Kimmerle, Constance. 2008. Elsie Driggs: The Quick and the Classical. Philadelphiae: University of Pennsylvania Press.
- Kramer, Hilton. 1982, 2007. Precisionism Revised. In Revenge of the Philistines, Art & Culture 1972–1984. Free Press. ISBN 1416576932.
- Stavitsky, Gail. 1994. Precisionism in America, 1915–1941: Reordering Reality. Novi Eboraci: Abrams, cum Montclair Art Museum. ISBN 0810937344.
- Tsujimoto, Karen. 1982. Images of America: Precisionist Painting and Modern Photography. Seattli: University of Washington Press. ISBN 0295959355, ISBN 0295959312.
Nexus externi |
- Consummate Anti-Expressionists.
Precisionism. Artcyclopedia.
Precisionism. Metropolitan Museum of Art.
